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・ Johann Altfuldisch
・ Johann Amadeus Francis de Paula, Baron of Thugut
・ Johann Ambrosius Bach
・ Johann Amerbach
・ Johann Amman
・ Johann Anastasius Freylinghausen
・ Johann and Anna Heidgen House
・ Johann and Wendelin of Speyer
・ Johann Andreas Amon
・ Johann Andreas Benignus Bergsträsser
・ Johann Andreas Benjamin Nothnagel
・ Johann Andreas Buchner
・ Johann Andreas Dieze
・ Johann Andreas Eisenbarth
・ Johann Andreas Eisenmenger
Johann Andreas Herbst
・ Johann Andreas Kauchlitz Colizzi
・ Johann Andreas Klindworth
・ Johann Andreas Kneucker
・ Johann Andreas Naumann
・ Johann Andreas Schmeller
・ Johann Andreas Schnabl
・ Johann Andreas Schubert
・ Johann Andreas Segner
・ Johann Andreas Silbermann
・ Johann Andreas Stein
・ Johann Andreas Streicher
・ Johann Andreas Stumpff
・ Johann Andreas Wagener
・ Johann Andreas Wagner


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Johann Andreas Herbst : ウィキペディア英語版
Johann Andreas Herbst

Johann Andreas Herbst (baptized June 9, 1588 – January 24, 1666) was a German composer and music theorist of the early Baroque era. He was a contemporary of Michael Praetorius and Heinrich Schütz, and like them, assisted in importing the grand Venetian style and the other features of the early Baroque into Protestant Germany.
== Life ==

He was born at Nuremberg, and most likely had his early education there. Possibly he studied with Hans Leo Hassler, one of the most prominent German composers at the turn of the century, since Hassler was teaching in Nuremberg while Herbst was a student, and there is a close stylistic relationship between the music of the two composers. Herbst became ''Kapellmeister'' at Butzbach in 1614, at Darmstadt in 1618, and at Frankfurt am Main in 1623.
In 1636 he accepted a position in Nuremberg, and returned to the city of his birth; it was evidently a frustrating appointment for him, for he wrote of his time there bitterly, and in 1644 he went back to Frankfurt, where he remained for the rest of his life. His most productive time was the period in Nuremberg and the second Frankfurt employment, during which he wrote his theoretical treatises and composed the bulk of his church music.

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